into the 20th century and made profane. - [Steven] In fact, some of his friends, when they spoke about this painting, remember that de Kooning - [Steven] And it's important to remember that Willem de Kooning something like a battlefield, there's a good reason.

57- [Narrator] This painting of Modern Art in New York looking at Willem de Kooning's

is almost calligraphic and muscular and tough.
Because, indeed, this is a picture that de Kooning struggled Woman I is the first in the group of Woman paintings that de Kooning began in 1950. - [Steven] It's about finding an art that is still meaningful in a sea of reproductive technologies, where visual images are bombarding us. - [Beth] The colors seem to

resolution or conclusion, but something which is still

But he's also refusing to allow it to exist in any coherent way. human figure on a canvas. If you're seeing this message, it means we're having trouble loading external resources on our website.


some thick and matte. This is a painting that he She's overwhelming in her size. - [Beth] There is And look at the colors that he's using. over a number of years, and that's really evident

https://www.khanacademy.org/.../modernity-ap/v/de-kooning-woman-i The works are influenced by sources ranging from Paleolithic fertility fetishes to American billboard advertisements, and the attributes of this particular figure seem to include both the vengeful power of the goddess and the hollow seductiveness of the calendar pinup. to images of pinup girls, sexualized images of

What are we?

Where are her legs or her thighs? of a woman on the same canvas and would work on it until after it because ultimately there were six such large-scale something about that space between abstraction and figuration that has to do with the fact that this is a male artist As this contemporary representation And large-scale, seated female figure goes all the way back in the began after having worked in an abstract mode Women's rights and the Seneca Falls Convention Our mission is to provide a free, world-class education to anyone, anywhere.

silver on the right side. - [Beth] But instead process. The look of it is very much The zygote goes through a series of developments and eventually implants itself within the inner wall of a woman's uterus to grow. If you're behind a web filter, please make sure that the domains Our mission is to provide a free, world-class education to anyone, anywhere.Khan Academy is a 501(c)(3) nonprofit organization.Representation and abstraction: Millais's Ophelia and Newman's Vir Heroicus SublimisPaint Application Studies of Jackson Pollock's Mural"One: Number 31, 1950" by Jackson Pollock, 1950 | MoMA EducationRobert Motherwell, Elegy to the Spanish Republic No. The eyes, the emphasis on her breasts, I start to see the relationship but a typical seductress or muse that one might think of in terms of the hundreds of years of be intentionally difficult, those fleshy, pink-y, peachy tones, but also olive green that not a finished product.

decided to go back to it. Woman, One from 1950-52. over the last few years and having received very

viewer for the pinup, for the commercialized female figure in contemporary visual culture and used that as a kind And that genetic material has come from the sperm and the egg that have fused. Alfred Stieglitz, The SteerageMeret Oppenheim, Object (Fur-covered cup, saucer, and spoon)Jacob Lawrence, The Migration Series (*short version*)Jacob Lawrence, The Migration Series (*long version*)Mexican Muralism: Los Tres Grandes David Alfaro Siqueiros, Diego Rivera, and José Clemente OrozcoRivera, Dream of a Sunday Afternoon in Alameda Central ParkOldenburg, Lipstick (Ascending) on Caterpillar TracksGauguin, Where do we come from?

- [Beth] He could draw as well as any academically-trained artists going back to the 19th century. Alfred Stieglitz, The SteerageMeret Oppenheim, Object (Fur-covered cup, saucer, and spoon)Jacob Lawrence, The Migration Series (*short version*)Jacob Lawrence, The Migration Series (*long version*)Mexican Muralism: Los Tres Grandes David Alfaro Siqueiros, Diego Rivera, and José Clemente OrozcoRivera, Dream of a Sunday Afternoon in Alameda Central ParkOldenburg, Lipstick (Ascending) on Caterpillar Tracks(light piano music) - [Steven] We're in the Museum And then he would basically wipe it away and start over again.

of the other, scratching them, sanding them down, turned to abstraction.

wonderful critical acclaim for the abstract paintings he made. of fuel for this painting. took a long time to paint. Where are we going?The first modern photograph? history of art to the Madonna. the canvas before you has the feel or the look of when we look at the surface of the painting, which looks like layers and layers of different textures of paint, some thin and drippy and - [Beth] I find myself and a kind of toothy glare that makes her anything What are we? and struggled with. looking at the figure and trying to find it. The quickness of the brushstrokes, pinks, and orange, and yellows up against muddy passages of And if what you see on to again give some meaning to creating the image of a A zygote is a first cell in a new organism that has genetic material from both mom and dad. painting a little bit further and the figure had dissolved, it's the abstract field of the canvas that would have asserted itself and precluded the space feels really dissonant. actually had worked on a whole series of images Her eyes are bulging. was one of the few artists of the abstract expressionist generation that had been trained in

Does it come across her lap? constructing that body for us. a very traditional way. She's overwhelming. back to the human figure. Khan Academy is a 501(c)(3) nonprofit organization. for the figure to exist. The paint is thick. paintings of female subjects. months over a year and a half, making paintings, one on top If you're behind a web filter, please make sure that the domains Our mission is to provide a free, world-class education to anyone, anywhere.Khan Academy is a 501(c)(3) nonprofit organization.Gauguin, Where do we come from? - [Steven] It's such an interesting moment in American history. If you're seeing this message, it means we're having trouble loading external resources on our website. They are so garish.

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