While The Slim Shady LP felt like one coherent thought and was a real project because of the way the songs worked off of each other, his second album is more a bunch of songs thrown in random order. Travis Barker - MF DOOM FOREVER. Later on on Amityville, Eminem is just screaming, and I don’t really know what he was going for on this track. DOOM is really amazing at rapping, and his apex was met at the same time by the apex of Madlib’s producing. Madlib produced the whole album, and the insanely strange, yet fun and original beats he creates suit DOOM perfectly. Nitin Randhawa)\" check it out here - https://www.youtube.com/watch?v=a4X7chnKCjs Instant Download (Non-profit) : https://bsta.rs/fd840b6f Purchase (For-Profit) : https://bsta.rs/fd840b6f Email - prod.nitin@gmail.com Instagram - https://www.instagram.com/nitin_randhawa/ Get me to 500k subs! Create a free website or blog at WordPress.com. On the beginning of If I Had, it isn’t even rap, it’s more of spoken-word. At least compared to MF DOOM, Em has never spit a verse as ill as this: "The rest is empty with no brain but the clever nerd The best emcee with no chain ya ever heard Take it from the Tec-9 holder They've bit but don't know their neck shine … Sure, Kim is disgusting, vulgar, and boorish, but the way Eminem is able to weave a story out of his demented yelling is so staggering. While he did this more shockingly before with, , he now takes a softer look that is genuinely heartfelt. That hunger and desire that he has to get out of being dirt-poor is one of the things that fuels. On songs like Who Knew, The Way I Am, and Marshall Mathers, Eminem does just this and decides to take arms against those whom he dislikes with some fantastic bars. news 309 on now. With The Eminem Show, Eminem returns to asses the overwhelming affect his album had on the country, this time doing it with a little more variety than he did previously on The Marshall Mathers LP. While. Lucky for us, the stars seemed to align for this album, and they decided to make an album together at both of their peaks. Uhh-ahh, temper, temper/ Mr. Dre, Mr. N.W.A, Mr. AK/ Coming straight outta Compton, y’all better make way/ How in the fuck you gonna tell this man not to be violent?” While maintaining an imposing rhyme scheme, Eminem pokes at Dre until he finally snaps following these lines, telling the person they’re giving advice to to just shoot his wife and guy who cheated with her. On the first real song of the album, Accordian, DOOM throws out double and triple entendres and complicated rhyme schemes like it’s nothing. MF DOOM’s ‘Mm..Food’ Album Makes the Billboard 200 For the First Time Culture - 1 week ago ‘Madvillainy’ Exec On MF DOOM Officiating His Wedding: “He Freestyled The Whole Ceremony” This is what his career is built on, and this is the first time anyone gets to see this. He isn’t the happiest man. Produced by Nitin Randhawa [FREE] Eminem x MF DOOM x Mac Miller x Joey Bada$$ x 9th Wonder - Boom Bap Type Beat \"3 STINGS\" (Prod. Like they were pretty much non-existent, unless you want to count the Beastie Boys or any other number of garbage white “rappers” who didn’t even really commit to the genre. most slapped. While Slim Shady does continue to use ludicrous lines, he also keeps up the incredible use of assonance and internal rhymes when he raps things like, “Till you fuck around, get an Anthrax napkin/ Inside a package wrapped in Saran wrap wrappin’/ Open the plastic and then you stand back gaspin’/ Fucking assassins hi-jackin’ Amtrak’s, crashin’/ All this terror, America demands action/ Next thing you know you’ve got Uncle Sam’s ass askin’” off of Business. On Madvillainy, they were quirky and enjoyable because of how short and goofy they were, but on this project they are just too abundant and it sucks the fun out of them. While Dre recommends taking the high road in all the situations, Slim Shady recommends robbery and murder, rape, and murder again. On songs like Rhymes like Dimes, Hey!, and Dead Bent, it’s the first glimpse we get of these twirling, insane rhymes that are always so lighthearted and technically amazing at the same time. Anyone that likes dense rhymes just got a chubby reading that excerpt. On Meat Grinder, the rhyming he does is just unheard of. He does it with a little more grace and poise than he did on, , and brings a micro focus on tracks like, while bringing a macro focus on songs like, . It allows him to funnel all of his sadness, anger, and technical skills into one album, and that is what makes it such a great album. Update: Grimm wasnt a battle rapper either. On the flip side, MF DOOM only had one and a half, as I count Operation Doomsday as a half because it is really good but it isn’t phenomenal and I can’t really decide how good it is. While lines like this are what cement his place in underground rap folklore, this album also has its shortcomings. Em is very reliable for an hour and 17 minutes with his profound anger and introspection, and this beats out DOOM when he’s not nearly at his best on an album like this one. Didn’t think I’d remember?/ (I’ma kill you, mothafucka!) The album is all around very well done, and Eminem offers some variety from what he offered on his first two albums. Now, MF DOOM and Eminem are two very different rappers. On. Anyone that likes dense rhymes just got a chubby reading that excerpt. It really is touching when he shares the hardships of his life with the listener in this way. Whether it’s with snippets of old supervillain cartoons to begin a song or with a dope instrumental to put in between songs to break up the monotony of the album (not that that’s ever a problem with this one), the production on this album is probably the best that’s ever been done. Otherwise, it would just be a lunatic madly ranting about ripping Hillary Clinton’s tonsils out and having genital warts. His delivery makes it sound effortless, almost like he isn’t even trying. Now to look at the rapping of the album. Round 3 results: While Mm… Food is another fun project by MF DOOM, Eminem is just too consistent on The Eminem Show. While this is fine and many of his complex rhymes and unorthodox beats make up for what it’s lacking, it still isn’t as strong as his debut, and might have a tough time stacking up against an all-around masterpiece like. is such a bizarre and fun project by MF DOOM. At times, rapping normally just seems too easy for DOOM. , they were quirky and enjoyable because of how short and goofy they were, but on this project they are just too abundant and it sucks the fun out of them. Otherwise, it would just be a lunatic madly ranting about ripping Hillary Clinton’s tonsils out and having genital warts. DOOM is hard to beat when he can be fun and free-wheeling, while also being profoundly acute. 27 times in these lines, and the control he has over every syllable is simply astounding. The women-hater wins. Rapper’s Flow Encyclopedia – … While it has some of his best work ever, his deeper voice plagued with anger just isn’t as fun or entertaining as his high-pitched lunatic yells were. This is what his career is built on, and this is the first time anyone gets to see this. Nitin Randhawa). Eminem wins round 1. DOOM finally figured out how to perfect his odd style, and he wastes no time doing so. DOOM goes on to do this on, Meat Grinder, America’s Most Blunted, Money Folder, Figaro, the rhyming he does is just unheard of. Round 1 results: The Slim Shady LP beats out Operation Doomsday because while DOOM is still just scratching the surface of molding the character and finding his style, Eminem had already seemed to master his while also supplementing it with despondent tales of struggling to survive in Detroit. Both of their primes were between 1999-2004, as this five year period is when they both started their solo careers and released their biggest albums. Later on on. Besides that, it is one of his most consistent, yet divergent works ever. His technical ability is off the charts, and he shows this again and again on, What’s amazing is that through all this impressive boasting and swank, DOOM is still able to offer incredible insight on some of society’s issues. At times, rapping normally just seems too easy for DOOM. Over a psychedelic, stretched-out beat, his friend MF Grimm raps about how God and the devil both exist within him, and brings some very trippy comparisons to the table. Em is very reliable for an hour and 17 minutes with his profound anger and introspection, and this beats out DOOM when he’s not nearly at his best on an album like this one. This shows on songs like, He sounds oddly serious on these songs, and it really just doesn’t fit his style. Villain, Metal face to Destro/ Guess so, still incredible in escrow.” It’s tough to find a word that doesn’t rhyme with something else. . He uses the sound of a 27 times in these lines, and the control he has over every syllable is simply astounding. It’s just so enjoyable to hear him compare himself to Jason and calling himself a basket case while keeping a cool flow and great wordplay. He raps, “Knocking, no answer, slow dancer, hopeless romancer, dopest flow stanzas/ Yes, no? Whether he’s yelling, “Tally-ho!” in the middle of a song or rapping about how a girl has bad breath in Operation Lifesaver AKA Mint Test,  he always seems like he’s having so much fun. At the very least, this is what DOOM will give you (this shows to how great he is), and, is another fun project by MF DOOM, Eminem is just too consistent on. Eminem Shoutout on New MF DOOM & Czarface Record (Czarface Meets Metal Face) Esoteric of Czarface has a line on 'The Badness of Madness', " The way I kick bars and darts, you'd think I mixed Marshall's art, with mixed martial arts. The songs Remember Me and Drug Ballad don’t even really sound like they belong on the album at all, but were rather just thrown in there to offer a song with features followed by a song that’s trying to show that he’s still the drug-crazed maniac he was on the first album. Villain, Metal face to Destro/ Guess so, still incredible in escrow.” It’s tough to find a word that doesn’t rhyme with something else. So angry, in fact, that he once raped the whole women’s swim team when he was in 8th grade, will hit you in the head so hard that your brain comes out of your veins, and instead of shooting you, he would rather push the bullet through your body himself. He is so self-aware, while also still being in-your-face and staying true to what makes him stand out as an MC. His delivery makes it sound effortless, almost like he isn’t even trying. sections: hiphop 1120 on now. RIP to the villain MF DOOM. MF DOOM finally mastered the stream-of-consciousness, incredibly dense rhyming style he was going for on this album, but it wasn’t without help. It really is one of the most jaw-dropping moments in rap, for both good and bad reasons. While he is often very insane, his ability to also showcase his emotions is what keeps this album balanced. Madlib produced the whole album, and the insanely strange, yet fun and original beats he creates suit DOOM perfectly. While he is often very insane, his ability to also showcase his emotions is what keeps this album balanced. While lines like this are what cement his place in underground rap folklore, this album also has its shortcomings. Meanwhile, MF DOOM usually sounds like he’s having a ball. , he has three lines in a row where he rhymes wishes/glitches/twitches before saying, “One thing this party could use is more … booze.” Instead of just rhyming what everyone expects him to, he goes out of his way to defy the rhyme scheme completely just to throw us off the trail. The big difference on this album is that he gets that his music is having a huge impact and sparking controversy in the homes of white suburbia. Nitin Randhawa) [95 BPM] Download/Buy/Lease this beat - https://bsta.rs/fd840b6fI used this beat to make \"EMINEM x MF DOOM x WESTSIDE GUNN - 3 STINGS (Prod. It is just too much, and they aren’t even fun anymore because of how long they are. Overall, The Marshall Mathers LP is a lot less of a project than its predecessor. Round 2: The Marshall Mathers LP vs Madvillainy. What does make this album impressive is that he doubles down as a producer for it as well, and makes all of the beats for the album. This is the most impassioned and vulnerable we’ve seen Eminem, and it’s a nice change of pace. The unexpected news of MF DOOM’s death is still reverberating throughout the Hip Hop community. They both have an alter-ego that often times engulfs their real person, they both have great technical ability which shows with their crazy rhyme schemes, and their music is very outlandish. , when he raps, “While the bosses sit up behind the desks, it cost billions/ To blast humans in half, into calves and arms/ Only one side is allowed to have bombs/ It’s like making a soldier drop his weapon/ Shooting him, and telling him to get to stepping.” These lines are such astute observations on the weird ways of war, while also being very clever and sharp. It also displays his storytelling skills, which are pretty great on this song. On the flip side, MF DOOM only had one and a half, as I count Operation Doomsday as a half because it is really good but it isn’t phenomenal and I can’t really decide how good it is. gear 40 on now. The women-hater wins. While DOOM prefers to hide behind his metallic mask and pay stand-ins to do his concerts for him, Eminem loves get in your face and take pictures with both his middle fingers up. While it still is a fantastic album, it doesn’t exist without, because the majority of it is about his reaction to other’s reactions to this first album. Like they were pretty much non-existent, unless you want to count the Beastie Boys or any other number of garbage white “rappers” who didn’t even really commit to the genre. This is a common theme in the album, as he does this on the majority of the songs. While Eminem has achieved the biggest mainstream success any rapper ever has in history, MF DOOM is debatably the most successful underground rapper, receiving critical acclaim and having a huge cult following. MF DOOM is far superior to Eminem but most people sadly don’t even know who DOOM is. Round 1: Operation Doomsday vs The Slim Shady LP. Eminem aka Slim Shady aka B-Rabbit is just too good to be beaten by anything. Both come up very short on trying to fulfill their purpose. If you look a little deeper, each and every line is so complex and filled with different meanings. Whether he’s yelling, “Tally-ho!” in the middle of a song or rapping about how a girl has bad breath in. The album is all around very well done, and Eminem offers some variety from what he offered on his first two albums. Another place this shines through is on by far the most controversial song of his career. The only very skippable track has to be. This album isn’t his best by any means, as there are some weird songs like, where MF DOOM seriously talks about his friendships over a strange, not-to-be-taken seriously beat, and it really just doesn’t fit with the playfulness of the whole album. There is also way, way, WAY too many skits. On songs like Cleaning Out My Closet and Hailie’s Song, he really delves into his personal relationships and the turmoil that surrounds them. There are NO exceptions. Madvillainy is known as the best underground rap album of all time, and this isn’t for no reason. There are a lot of growing pains on this album, as DOOM is still trying to hone his skills and find the exact style he wants to go with. Also on. It’s so hard not to sympathize with Shady after listening to. The Metal-Faced Villain takes round 2. , Eminem returns to asses the overwhelming affect his album had on the country, this time doing it with a little more variety than he did previously on. Radiohead’s Thom Yorke paid tribute to MF DOOM on social media Saturday following news of the enigmatic rapper’s death at the age of 49. I've hated this new Eminem, … He does it with a little more grace and poise than he did on The Marshall Mathers LP, and brings a micro focus on tracks like White America and Say Goodbye Hollywood, while bringing a macro focus on songs like Square Dance. It’s just strange and not an enjoyable song to listen to whatsoever. Incorporating rock beats and handling much of the producing himself, brings unorthodox beats combined with Em’s usually absurd wordplay and commentary on the world’s reactions to his music. This album isn’t his best by any means, as there are some weird songs like Deep Fried Frenz, where MF DOOM seriously talks about his friendships over a strange, not-to-be-taken seriously beat, and it really just doesn’t fit with the playfulness of the whole album. Rap Music Analysis – Eminem, “The Rap God” Twista – Rap Music Analysis; Bone Thugs…Explained, With Rap Analysis! Shea Serrano - everyone has a story about they first time they heard about MF DOOM — his mythology always seemed to precede his music and then his music always seemed to outpace the hype There really isn’t anything to criticize about this album, as it’s one of the strongest rap albums ever created. He needs to learn to stop that. Meanwhile, MF DOOM usually sounds like he’s having a ball. as a half because it is really good but it isn’t phenomenal and I can’t really decide how good it is. This really captures the essence of Slim Shady on this album. There really isn’t anything to criticize about this album, as it’s one of the strongest rap albums ever created. This is a rare thing, and rap and can be done pretty technically amazing and fun when put into the (metal) hands of the right person. Daniel Dumile [a] (/ ˈ d uː m ə l eɪ / DOO -muh-lay ; July 13, 1971 – October 31, 2020), best known by his stage name MF Doom or simply Doom (both stylized in all caps), was a British-American rapper and record producer. One of the places he most successfully blends the crazy with the skill is on, In this song, three situations are presented, and in each one, the person involved has two people giving him advice, one being Dr. Dre, and the other being Slim Shady. While, felt like one coherent thought and was a real project because of the way the songs worked off of each other, his second album is more a bunch of songs thrown in random order. It feels like you’re drowning in the beat as it randomly speeds up and slows down throughout the song, and this is some of DOOM’s best work on the album. The title is an anagram of his name, and I think he realized this and then decided to make the project’s theme food just for the fun of it. All y'all sound like Eminem The generic version Please just don't speak again (MF DOOM & TYLR C) Tripping off the beat kinda Dripping off the meet grinder Heat … For example, MF Grimm’s 2007 urban twist on a classic fairytale, The Hunt for the Gingerbread Man, or the simple yarn of a doomed relationship and the loss of a small fortune in 2004’s A Grand Don’t Come for Freeby UK hip-hop act The Streets. Eminem doesn’t even come close. The big difference on this album is that he gets that his music is having a huge impact and sparking controversy in the homes of white suburbia. It really is one of a kind. On Thursday (December 31), DOOM’s wife Jasmine … Both come up very short on trying to fulfill their purpose. He isn’t the happiest man. That being said, they also have a lot of similarities. What makes it such a famous album are songs like Stan, where he puts down the facade of the character he always tries to uphold and sees the world through someone else’s shoes. Regardless, Eminem made three great albums, and while DOOM made an album better than all of them in Madvillainy, the rest of his work just wasn’t enough to trump Eminem in the end. Lines like this are what made it such a strong album. ( Log Out /  This character Slim Shady is so deranged and free-wheeling that towards the end of the song the angel and the devil on the shoulder get in their own argument, as Slim Shady tempts Dre to not be the good guy. It’s so hard not to sympathize with Shady after listening to Stan, as it puts into perspective that he’s just a normal guy who makes controversial lines for the shock value of it, and sometimes people can take these lines too literally. Mm… Food is such a bizarre and fun project by MF DOOM. He needs to learn to stop that. This album is like if Slick Rick, Quentin Tarantino, Edgar Allen Poe, and the writers of South Park decided to get together and make a rap album. he raps, “Joking rhymes, like the ‘Is you just happy to see me?’ trick/ Classical slapstick rappers need Chapstick/ A lot of ’em sound like they in a talent show/ So I give ’em something to remember like the Alamo.” Over a quick and lively beat, DOOM gives us boisterous brags while following an unorthodox and very impressive rhyme scheme. , Eminem is just screaming, and I don’t really know what he was going for on this track. Coming off of his very impressive debut (even though it isn’t really his first album, it’s his first album to 98% of people), Eminem decided to take a different turn with The Marshall Mathers LP. The Metal-Faced Villain takes round 2. It’s an unusual, absurd, and shrewd track. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. It allows him to funnel all of his sadness, anger, and technical skills into one album, and that is what makes it such a great album. What’s wrong? is a lot less of a project than its predecessor. Another place this shines through is on by far the most controversial song of his career, Kim. That hunger and desire that he has to get out of being dirt-poor is one of the things that fuels The Slim Shady LP. Phonte - One of the greatest comebacks/second act stories in hip hop history. While Eminem has achieved the biggest mainstream success any rapper ever has in history, MF DOOM is debatably the most successful underground rapper, receiving critical acclaim and having a huge cult following. They both have an alter-ego that often times engulfs their real person, they both have great technical ability which shows with their crazy rhyme schemes, and their music is very outlandish. Another big difference on this album is that Em got back to being occasionally very introspective and emotional by giving us a look at what makes Marshall Mathers tick. He is very aware of the ripple effect that his first album caused and all of the controversy that surrounded it, so he came back ready to address this with his most complex rhymes ever. Only a few could compete like Jay Z and Outkast. What saves this album is DOOM’s raps. One of the places he most successfully blends the crazy with the skill is on Guilty Conscience. he always seems like he’s having so much fun. On the surface, some may see it it as just that, but it really goes so much deeper. In terms of discographies MF DOOM has the best in hip hop period. I feel like DOOM did a lot of things on this album just for his own enjoyment and not for the consumer, and it really shows with weird, long skits that show up on this album. This was an easy pick. See it it as just that, but MF DOOM and Eminem are two different... 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